This is our music: one person makes $54 million a year. 7 make $1.7 to $2 million (if you remove prize money- $.7 to $1.1 million). The rest mostly subsist… What I have just described cannot be called a music ‘industry’.

The fact however is there’re about 60 artists who can be making $50 million, about 200 who can make $20 million, and another 200 who can make $1 million easily. This money will be made touring between 65 to 150 days a year in places with favourable rates of exchange. Most not in Caribbean diaspora markets. What I just described is an ‘industry’.

Music-insiders know the artists who can be earning these incomes. As I said last week- it aint who you think! If you did the maths you’d realize that musicians alone could be earning about $2 billion TT- as net foreign-exchange earners for the economy. Why then is this not happening?

To be a player in the mainstream industry you must attend certain expos. It’s there you acquire tour managers, booking agents, and record deals. If you’re not present- you don’t exist. We don’t exist. T&T attended the leading music expo- MIDEM– only 4 times in the last 17 years (government partnered only twice). The returns on those trips were over $125 million. The local investment? Less than $500,000. Where else can you legally get those returns on investments? That’s the brilliance of the Creative Sector! There’s an artist (not Machel) who scored a Billboard top 100 hit and pocketed over $2 million from a song he recorded for $6,000 TT. He just received a $20 million signing bonus from a major label. This is how the real world of music works.

Every single time T&T goes to these expos- we win gold. Stakeholders have shown every government these figures. Why hasn’t government ensured we be regulars at such niche expos for all our cultural products? Like other governments?

So when the Minister of Planning in response to the Artists’ Coalition’s recent criticism of his Ministry’s non-implementation of 2 years worth of Budget promises (in which the sector handed him blueprints on how to geometrically increase sector earnings) and he replies by saying ‘he is doing a lot’ because soon government will sign a ‘big record deal’ with Machel- he in fact proves our point. The industry is not one man- as they in their favouritism and mis-understanding of the Creative Sector think. An industry results from an ecosystem of legislation, institutions, and enabling systems that is government’s duty to create. T&T has failed to implement these. An industry comes from releasing the 400 other multi-million dollar earners from their artificial squalor. Other countries built such systems. Other countries serious about their industry have booths at MIDEM- Jamaica’s annual booth is the size of big truck. This is why their artists are everywhere. Where are we?

Instead TTENT– the agency which should implement this initiative was brought up before the Integrity Commission… The last 2 Budgets have all these pathways out of scandal and into prosperity. If only leaders would listen…

Every single musical breakthrough for 2 decades came from MIDEM, check some: Nigel and Marvin’s ‘Follow De Leader- signed, sold 300,000 units; Sugar Daddy’s ‘Sweet Soca Music’- signed, sold 250,000 units; MIDEM was instrumental in licensing ‘Who Let the Dogs Out’; Calypso Rose got European and American mainstream venue tours with a PBS movie deal… In all over 100 deals were made- catalogues signed; artists, singles and albums signed; movie-soundtrack deals; tours booked…

If you were to look at the list of artists gaining deals you’d not find the usual suspects. Why? Because the international music business has nothing to do with our local prejudices, music mafias, and DJ favourites. They’re interested in one thing- ‘GOOD MUSIC’!

There’re over 400 potential multi-million dollar earning acts- if only emancipated from this landscape where most play to underground scenes of 60 people their entire lives. Trips with politicians on diplomatic tours don’t get you deals- music expos get you deals. And you go there with your best. And our best aren’t playing festival Soca and Chutney. They’re in other genres you never hear, because local radio has 5- 10% local content so T&T will never know its genius.

Some of these geniuses include: joint pop, 12, Gyazette, Ataklan, The Blackmans (3 bands- Sheldon’s, Isaac’s, and Madge’s), Freetown Collective, Russel Leonce, Collis Durante, Lyndon Livingstone, Sean Thomas, Ettiene Charles, John John Thomas, Maximus Dan, Gail-Ann Stephens, A_phake, Squeezy Rankin, Isasha, Orange Sky, Celsa Baptiste, and more… How many names did you know? All are potential multi-million dollar earners. Marlon Asha is almost there…

It’s government’s duty to create enabling systems around talent so T&T can earn foreign exchange- and have an ‘Industry’- not a one-man show. This is not hand-outs. This is how nations build capacity. This is business. Cabinet and Parliament approved these programmes. Implement them!!!

Posted on July 12, 2012, in President's Blog and tagged . Bookmark the permalink. Leave a comment.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

<span>%d</span> bloggers like this: